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Review: Ingmar Bergman documentary covers the Swedish director’s genius, quirks and faults

Complementing these folks’ heartfelt, passionate, at times amusing observations and anecdotes are provocative clips from some of Bergman’s best-known films, including “Wild Strawberries,” “Winter Light,” “Persona,” “Hour of the Wolf” and “Autumn Sonata,” which help stitch together a strong reminder of his distinct visual and emotional style. (Oddly, “Cries and Whispers,” one of Bergman’s most honored and infinitely dissectable movies, is omitted here.)